Dance Beat: PBT

Alexandra Kochis Photos: Rich Sofranko

Alexandra Kochis Photos: Rich Sofranko

ENDING AND BEGINNING. Pittsburgh Ballet Theatre ended its season in various areas of sunny Spain. First there was a weekend of Don Quixote performances at the Benedum Center (read about it in the Pittsburgh Post-Gazette). And the Sunday matinee was followed by a reception at Larrimor’s (the latest cool place for Downtown organizations), where attendees could not only nosh on a great buffet and sip sangria and wine, but listen to the Spanish duende (or soul) of Alba Flamenca.

 

Alejandro Diaz

Alejandro Diaz

PBT also had a surprise announcement involving the annual mixed bill. Not only was it moved from the August Wilson Center and then the Byham Theater, but with the help of an anonymous donor, the program will be held at the Benedum Center with full orchestra to help celebrate the company’s 45th anniversary. The program will include a triple bill from three master choreographers: the wit of Mark Morris’ Sandpaper Ballet and Jerome Robbins’ The Concert flanking Jiri Kylian’s more dramatic Petite Mort. There is no doubt that this will be a rich program, with works that are already lauded in the classical ballet repertoire. And therein lies the rub. This will be part of a 45th season that will look back rather than send the company into the future — The Sleeping Beauty, The Nutcracker, Beauty and the Beast and La Bayadere. The “Premieres” program is supposed to be adventurous, but artistic director Terrence Orr has chosen to play it safe…and increasingly so in a ballet world that is continually pushing the envelope.

In the meantime, enjoy some snippets…

 

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