Dance Beat: Bill Shannon, Starz. Flesh and Bone, Bolshoi

June 13, 2015

3RIVERS NEGOTIATION. There was a satisfying conclusion to the Bill Shannon/3Rivers/CREATE2015/Wyndham Grand issue. (See yesterday’s post). Bill was able to complete his contract that evening at 6 p.m. during the cocktail party for CREATE, which looked to be a hit. He pushed his shopping cart, with minimally squeaky wheels, across the social area. Then he donned his “mask” for a walk-through, with considerable interest from attendees. Thank you, Veronica Corpuz, director of the Dollar Bank Three Rivers Arts Festival!

flesh-bone-artFLESH AND BONE. For those of you who have Starz, there will be a new reality show this fall based on a balled company. Titled Flesh and Bone, it will feature honest-to-goodness ballet dancers. Sarah Hayes, former American Ballet Theatre soloist who did many of the technical shots in Natalie Portman’s Black Swan and current member of Semperoper Ballet in Germany, has won the leading role. Also in the cast are former ABT principal dancer Irina Dvoravendo and soloist Sasha Radetsky, plus Ballet Arizona’s Raychel Diane Weiner to lend reality to the show’s ballet world. As if that weren’t enough, former ABT principal and current artistic director of the New Zealand Ballet Ethan Stiefel (Center Stage) will serve as consultant and choreographer. Moira Walley-Beckett, writer on Breaking Bad, will head a production team including  executive producers Lawrence Bender (Inglorious Basterds, Good Will Hunting), Kevin Brown (Rosewell), John Melfi (Sex and the city, House of Cards). Bender and Walley-Beckett are former dancers and Brown’s family served as a basis for the Oscar-nominated feature The Turning Point. Although Bunheads and Breaking Pointe were juicy dance dramas, Flesh and Bone,  has the potential to be a truly adult, perhaps award-winning ballet drama. Stay tuned.

BOLSHOI NEWS. The Bolshoi Ballet is set for a new season to be shown in movie theaters, although the Pittsburgh area audiences have been rather sparse. Hopefully that will change. On tap for 2015-16 are Giselle (Oct. 11), George Balanchine’s Jewels, featuring prodigy Olga Smirnova in Diamonds (Nov. 15), John Neumeier’s The Lady of the Camellias (Dec. 6), The Nutcracker (Dec. 20), Jean-Christophe Maillot’s The Taming of the Shrew (Jan. 24), Spartacus (Mar. 13) and b(Apr. 10). Dates listed are opening nights, but may vary. There is also sad news to report. Maya Plisetskaya, one of the all-time stars of the Bolshoi and a famous Kitri in Don Quixote, passed away. Read about her history and enjoy her perform some of her greatest successes.


Dance Beat: Controversy at 3Rivers and CREATE

June 11, 2015
Bill Shannon, after he was escorted off the Wyndham Hotel property.

Bill Shannon, after he was escorted off the Wyndham Hotel property.

The waters weren’t running smoothly this morning at Three Rivers Arts Festival/CREATE 2015. Resident Pittsburgh genius Bill Shannon showed up at the Wyndham Grand Hotel lobby at 8 a.m. to begin a scheduled pop-up performance in the lobby. Deliberately dressed in a clownish way — checked pants and top, bowler hat, black-rimmed glasses and canvas boots with hard yellow toe overlay, the Crutchmaster began attracting attention.

He blew an air horn while pushing a squeaky red shopping cart. Eventually a man dressed in a suit came up to tell him to stop. Thinking him a rude heckler, Bill engaged back. But it was the manager of the hotel and soon law enforcement officers were involved.

Little did they know that Bill had exhibited at the Tate Liverpool Museum and the Smithsonian’s Hirshhorn Museum in Washington, D.C., had spoken at Massachusetts Institute of Technology, had created for Cirque du Soleil and much, much more all over the world.

He was there to perform for CREATE 2015, a technology and arts festival that is a festival within a festival. Very forward-thinking — check it out. It’s a festival within a festival, that being the Three Rivers Arts Festival, also a must-see.

To keep the story short, Bill was escorted across the street from the Wyndham property by three officers, cart squeaking the whole time.

Cornelius Henke with fractured mask showing Bill Shannon.

Cornelius Henke with fractured mask showing Bill Shannon.

But his mates were still able to walk around the mezzanine with a companion piece, a collaborative art/tech creation. Australian Jack Hodges wore  a “mask” of sorts, with duck-taped cell phones, maybe a battery (I’m no techie), and a half dozen or so hollow dot screens forming a fractured face around his head. Actually Bill’s face was being projected on the multiple screens, so he was still “in the building.” Monroeville native Cornelius Henke, the mapper for the project, followed with a cord and electronic box, the tail to this “dragon,” you might say.

Bill is also scheduled for a 6 p.m. performance. Where? Right now that is subject to negotiation. Stay tuned and turn out.

 


Dance Beat: PBT — Bourree-ing Confidently into the Black (and Gold)

April 29, 2015

 

The house curtain comes down for a slide presentation of Loti Falk Gaffney.

The house curtain comes down for a slide presentation of Loti Falk Gaffney.

In the final weekend of its 45th season, Pittsburgh Ballet Theatre had plenty to celebrate…and did it in style!

GALA. It began Thursday with the dress rehearsal of La Bayadere. Guests arrived for the 45th Anniversary Season Finale Gala at the Benedum Center, where the lobby was filled with high top tables and champagne was being served. They could then head for the mezzanine, where the company was rehearsing the final act of Bayadere, the Kingdom of the Shades. (Great to see the choreographic patterns from that angle!) Then it was back to the lobby for more champagne and appetizers from the Duquesne Club.

During that time the stage was set with dining tables for over 200 guests. Following the salad, PBT honored artistic founder Nicolas Petrov with a film presentation projected on the house curtain, which was lowered for a few minutes. Curtain up for the entree! Then board founder Loti Falk Gaffney received the same treatment, accepted by her granddaughter. (Mrs. Falk Gaffney, who resides in New York City, is now too frail to travel.)

After PBT honored its past, it set up a bright future for dessert (literally). The board has committed to a $20 million dollar campaign that will grow the endowment at 50 percent, grow the Strip District-Lawrenceville campus with a new annex building and grow artistic priorities with the establishment of an Innovation Fund. Board leadership came from campaign co-chairs Carolyn and Bill Byham (helped achieve 67 percent of the goal during the silent phase and the new building will be named for them) and campaign co-chairs Dawn and Chris Fleischner (provided early significant leadership gifts to the new annex building). Richard E. Rauh endowed the Principal Dancers’ Fund and PBT Trustee James Hardie and his wife Frances endowed a repertory fund. The Commonwealth of Pennsylvania  contributed two Economic Growth Initiative Grants — a total of $2.25 million — since the plan’s inception in 2009.

As all of the above unfolds, it should enable PBT to keep up with a national trend, where the best of the ballet companies are receiving both financial and artistic support. It something that needed to be done. Both the Boston and Pennsylvania celebrated their 50th anniversaries with new construction and repertory. Here’s to Pittsburgh accomplishing the same.

 

Yoshiaki Nakano soaring as Solor (Photo: Rich Sofranko)

Yoshiaki Nakano soaring as Solor (Photo: Rich Sofranko)

 

BRUNCH. Costumier Janet Groom-Campbell (maker of those fabulous PBT tutus and so much more) and her husband David Campbell (CEO and president of West Penn Testing Group and antique car aficionado) hosted a tasty Saturday brunch at their home in Staunton Heights, with great vistas of the Allegheny River. Artistic directors Nicolas Petrov and Patricia Wilde were there enjoying the view, along with longtime supporters Melanie and Jim Crockard and former company members Susan Stone, Dr. Justin Glodowski, Roberto Munoz and Nola Nolen among others.

Gabrielle Thurlow as Gamzatti. Photo: Rich Sofranko.

Gabrielle Thurlow as Gamzatti. Photo: Rich Sofranko.

PERFORMANCE. Of course, the weekend was built around four performances of La Bayadere. Read about the first in the Pittsburgh Post-Gazette. Corps member Hannah Carter made her debut as Nikiya, a role well-suited to her beautiful legato flow, at the Sunday matinee. She was paired with soloist Luca Sbrizzi, a pinpoint technician with an unbridled confidence, as Solor. There was nary a principal to be seen, except for a chameleon-like Amanda Cochran as a Temple Dancer (with an equally unrecognizable corps member Joseph Parr). Soloist Alexandra Silva (The Rajah) had an unparalleled authority, corps members Caitlin Peabody (Gamzatti) a conniving energy and Masahiro  Haneji (The Golden Idol) a crisp vertical jump. And you would have to mention another corps member, Ruslan Mukhambetkaliyev, performing all performances as the unmistakably sinuous fakir, Magedaveya, Could there be promotions in the future?

Luca Sbrizzi as The Golden  Idol. Photo: Rich Sofranko.

Luca Sbrizzi as The Golden Idol. Photo: Rich Sofranko.

THE AFTERPARTY. Following a weekend of exotic classical ballet, PBT dancers, alumnae and staff gathered at the company studios to mingle — former principals Kwang-Suk Choi and Steven Annegarn (now ballet master), former soloists Point Park staff member Susan Stowe and financial analyst Holly Baroway and corps members Charon Battles (Program Director for Dance, Local Arts and the Preserving Diverse Cultures Division of the Pennsylvania Council on the Arts!!) and Karen Strassom Gross added to the pool — and to celebrate the end of the 45th season with an enthusiasm that will carry into the future.


Dance Beat: Dirty Ball, Indian Festival, Dancing

April 16, 2015
Top Ten

Top Ten

Years. When The Dirty Ball first began, we didn’t know what to expect as we headed to one city apartment where the Attackers danced in the bathroom and a raw shell of another where we told our dirty secrets and drank dirty martinis. After a decade we know what to expect and Attack Theatre delivers. This time it was on the South Side in a warehouse of epic proportions. The Donor Party, where Queen of the Ball, Michele de la Reza, entered on a “throne” (two ladders, of course, transformed) and, with her “entourage,” presented an intimate thank you from the company. Everyone who had attended all ten took a group picture, whereupon the “curtains” were drawn to reveal what was probably the most breathtaking of all the locations over the years. The epic theme was carried out in Richard Parsakian’s must-see VIP Velvet Lounge, home of his collection of Elvis dolls (in original packaging) and the largest space he has expertly designed. Now for the trio of dances: it all began with a sherbet orange number that showed off the company’s seamless partnering style, with Ashley Williams looking utterly sun-kissed. That was followed by the Epic Production that traveled back and forward in time, which meant that King Peter Kope gathered just about anything — the Robot, Cleopatra, “Risky Business” (an over-the-top and very-welcome-return from Jeff Davis all evening long) and “Cher” (was that really Dane Toney?). And of course, there was the trademark finale from Dirty Dancing. Apparently everyone had the time of their lives…again.

india_landingpage_normal

Tripping. We’ve been to Australia, Quebec, Netherlands and around the world three times (International Festival of Firsts) when the Pittsburgh Cultural Trust is in a festival mode — often thrilling, always probing.  Now the Trust is taking the city to India. Two key dance performances will play a part. Nrityagram Dance Ensemble, last here in 2003, and Askash Odedra Company, making its premiere will also be a part of the Pittsburgh Dance Council season. Also on tap we’ll see a street party with DJ Rekha at the September Gallery Crawl, music of the highest order (Zakir Hussein with SF Jazz & Dave Holland), theater (Why Not Theatre, Tram Theatre and Indian Ink Theatre Company), exhibits (Hetain Patel, Nandini Valli Muthish, Plus One, Birth Series and Sarika Goulatia) and Mystic India, fusing dance, theater and spectacular special effects. Love the logo! (Click on India for more information.)

Time of My Life? The finale song for Dirty Dancing popped up everywhere this past week. Tuesday: The touring production of “Dirty Dancing.” Wednesday: “Dirty Dancing” leads teach Kristine Sorensen and Jon Burnett a few moves on KDKA’s Pittsburgh Today Live. Friday: Finale for Pitt Dance Ensemble. Saturday: Finale for the Dirty Ball. Everyday (it seemed): The commercial for UnitedHealthcare where the signature flying leap comes crashing onto a table.


Dance Beat: PBT, CLO Dance Seasons Plus, Jacob’s Pillow

March 30, 2015

PBT WESTERN SYMPHONY

PBT. As it nears the finish of its 45th season, Pittsburgh Ballet Theatre seems to be casting its sights on the 50th. For the first time in recent memory it is presenting two mixed repertory nights. The first, with George Balanchine’s Western Symphony, William Forsythe’s in the middle somewhat elevated and Jiri Kylian’s Sinfonietta, opens the season (Benedum Center, Oct. 23-25) and has the potential to be the company’s best program…ever. There is no doubt that this is a great line-up. But more importantly, it has balance, perhaps beginning with the sweeping Sinfonietta, then with the meaty contemporary angles of the Forsythe and finishing with Balanchine’s version of the wild, wild West. The other (Byham Theater, Mar. 10-13) features what appears to be a popular and fairly recent (BalletMet premiere 2010) ballet, noted Canadian choreographer James Kudelka’s Man in Black, inspired by country legend Johnny Cash. It will be accompanied by another local premiere, Michael Smuin’s 1969 pas de deux, The Eternal Idol, and a return of the iconic Jardin aux Lilas (Lilac Garden) by Antony Tudor. The company will bring back Jorden Morris’ version of Peter Pan (Benedum, Feb. 12-14) and, of course, the annual Nutcracker (Benedum, Dec. 4-27). The season will then conclude with the company premiere of Le Corsaire (Benedum, Apr. 15-17), one of those epic ballet warhorses about a pirate who seeks to liberate the woman he loves from kidnappers. The orchestra will accompany the opening program and Le Corsaire. For more information, click on PBT.

CLO. Not falling into the season category (but it will in the future) is the exciting news about the new production of An American in Paris, choreographed by balletic superstar choreographer Christopher Wheeldon, who is also making his directorial debut. It got rave reviews in Paris for this reimagining of the classic Gene Kelly film and set to open on Broadway . The cast is to-die-for, led by New York City Ballet principal dancer Robert Fairchilds  and The Royal Ballet’s Leanne Cope, certain to be a dead ringer for Leslie Caron onstage. Check it out at American.

PITTSBURGH ON BROADWAY. Dance aficionados will want to catch Mathilda the Musical, with choreography and movement by Peter Darling, whose other credits include Billie Elliot: The Musical. The Sam Mende/Rob Marshall version of Cabaret returns to Pittsburgh via the 2015-16 Broadway across America season direct from Broadway and The Wizard of Oz gets a bit of a facelift from Tim Rice and Andrew Lloyd Webber with some new songs (choreographer is Brit Arlene Phillips). For those who are musical-ly driven, Beautiful — The Carole King Musical will be of interest plus some familiar favorites like Jersey Boys, The Sound of Music and Blue Man Group. For more information, click on Broadway.

JACOB’S PILLOW. Well, well, well. Pittsburgh beat the Pillow to the punch on a couple of appearances taking place on its 2015 season, including Three Acts, Two Dancers, One Radio Host  (the Ira Glass/Monica Bill Barnes collaboration presented by Pittsburgh Dance Council in February), Daniel Ulbricht & Stars of American Ballet (independently presented at the Byham Theater and Cuba’s Malpaso (presented by Kelly Strayhorn Theater with two North American premieres). Of course, Alonzo King LINES Company and Martha Graham Dance Company have touched base here along the way as well. (In a real departure, there will be only one Graham work on the program and a premiere by Mats Ek to celebrate the group’s 90th anniversary.) Keigwin + Company open the season and will include tap sensation Michelle Dorrance and L.A. Project, founded by Benjamin Millepied. Click on Pillow.

 

 


Dance Beat: YAGF, Chloe

March 28, 2015
Tommie Kesten with Damien Martinez in Ballet Academy of Pittsburgh's "Nutcracker. Photo: Katie Ging.

Tommie Kesten with Damien Martinez in Ballet Academy of Pittsburgh’s “Nutcracker. Photo: Katie Ging.

YAGF. Youth America Grand Prix, the world’s largest international student dance competition, has expanded its network of competitions to Pittsburgh for a second year of semifinals (and moved to the larger Byham Theater), which says a great deal about Pittsburgh’s emerging dance footprint. Ballet Academy of Pittsburgh’s Tommie Kesten, 14, bourreed away with the Youth Grand Prix, the top award in the Junior Age Division. Verily Treu, 13, of Pittsburgh Ballet House, landed in third place and captured first place in the Contemporary Dance Category. In the Pre-competitive Age Division, Victoria Pete, 10, of Pittsburgh Youth Ballet and Sofia Williams, 11, of Ballet Academy of Pittsburgh, placed in the Top 12. Point Park University took third place in Ensembles for Idiosyncratic Rising. Ballet Academy of Pittsburgh and Pittsburgh Youth Ballet were in the Top 12 for IV and Til the End. To top it all off, Point Park University staff member Kiesha Lalama received the Outstanding Choreographer Award.

CHLOE. Former Dance Moms teenager Chloe Lukasiak has partnered with Chicago singer-songwriter Jess Godwin in the music video, Fool Me Once.

 


Dance Beat: Let’s Hear It For the Girls — Maria, Jasmine, Alexandra

March 23, 2015

MARIA CARUSO SCARF ARABESQUE

MARIA. Maria Caruso closed one door — performing with her company, Bodiography, here in Pittsburgh at the Byham Theater — and opened another, a solo career that will take her far afield. But before we get to that, she choreographed (and will continue in the future) a duet, Light By Love, quite lovely, yet controlled for Misa Pascarella and Dan Savage, with Theo Teris at the piano (a nice touch) and then moving on to Follow the Light, a ballet set to Cold Play, which showed how she has developed her rock roots with a larger sense of phrasing. Her solo, My Journey, relied on her own rock solid performing style. The piece was obviously heartfelt, detailed and much of it quite literal as Maria went through her life, following her own ups and downs through a scrapbook of memories, especially significant for those of us who have been there from the start.

JASMINE FLOWJASMINE. Jasmine Hearn’s inviting face tops an always curious body. But it also harbors a probing intellect that comes up with such intriguing concepts. Her latest at PearlArts Studio was a “response” (her favorite word lately) to the Bill T. Jones/Keith Haring collaboration called Long Distance at New York’s The Kitchen in 1982. There Bill created a dance  using the sound of Keith’s brushstrokes as he painted on the wall behind them. Jasmine paired with Chicago artist Ayanah Moore on this occasion for what they titled FLOW. Judging from a brief clip on YouTube, the women were more connected, both with each other and involving the audience. Ayanah’s large brown paper swatch had microphones attached to the perimeter so that her brushstrokes resonated more fully. Jasmine, in the meantime, worked the room — she has a real sense of personal theater, tempered with a naturalness that is always engaging. Beginning in a kneeling position, her back to most of the audience, she undulated, rising and arching her back to expose her breasts. Her sexuality was a part of it all — covered, uncovered, bared and recovered. But it was only a part of the response, where the movement could curl up and pop open, mingle with the audience around her, engaged in shadowing and playful repartee with Ayanah and jiggle with ecstasy. There were a few snatches of whispered songs, too. Oh, and Ayanah gradually uncovered the message: BOTH WANTING BOTH LOVING, written twice in raw, mirrored images. ALSO: Check out Jasmine’s gritty/elegant stop/start, always fascinating video with Paul at jasmine+Paul, also available for subscription:

https://www.patreon.com/creation?hid=1739587&rf=364407&ty=1

ALEXANDRA. Lastly, Alexandra Bodnarchuk just sent notice that her cross-disciplinary dance project (also with video) has been accepted for the 2015 Dollar Bank Three Rivers Arts Festival. It’s called Dance From the Inside Out, but hey, let Alexandra tell you about it in her message: click on  DFIO.

 

 


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