Dance Beat: It’s South Korea, Not North Korea

March 6, 2017

Here we go again!

Back around 2010, Pittsburgh Dance Council executive director Paul Organisak was complaining about visa problems for foreign artists from Spain and South America, forcing him to tailor several seasons around North American companies.

But that involved individual artists and was nothing compared to current surprise attacks, not only during the current travel ban, but resulting from the toxic atmosphere surrounding the Trump administration. The Dance Council, now under Randal Miller, almost didn’t get to present the Seoul-based Bereishit Dance Company this past weekend at the Byham Theater.

Apparently the group, despite having all of its papers in place and having submitted its visa requests last October, inexplicably was denied access to the United States. That forced the cancellation of the first performance of its first American tour at Northrup Auditorium in Minneapolis, scheduled for last Tuesday.

Miller enlisted Senator Bob Casey and some other heavy hitters to intervene because this group is from South Korea, not North Korea. The company arrived in Pittsburgh, actually its second stop and now its first, on Friday after a long flight (around 15 hours) from Seoul. With the help of the Byham’s stellar stage crew, they were able to attend to technical issues, but didn’t get to do a complete run-through.

The Pittsburgh audience didn’t notice, given the company’s disciplined training and seamless technique, mostly martial arts that transcended the divide into contemporary dance. The result was a fresh and invigorating performance, resulting in a standing ovation.

Of note were the two arrows that flew across the front of the stage in Bow, landing with a heavy thud on a wall located on the other side of the stage. They were pinpoint symbols of the clean lines and intense focus in the work, mostly a duet, but occasionally involving a third member. Congratulations to Miller and the Falcon Archers of Canonsburg, for making it work (the only time it will be seen in the U.S.).

Also on the program was Balance and Imbalance, for the five-member troupe, three men and two women. You had to love the contrast between sharp angles and movement “locks,” similar to hip hop, with a beautiful fluidity. Although the title referred to the movement itself, you could also see that in the choreography, which used great skill in folding difficult, acrobatic moves into a lyrical mindset.

 

 

 


Dance Beat: Helen, Marianna, YAGP

February 15, 2017
Enjoying the after-preview festivities are dancers Sarah Zielinski, Sonja Gable and Chelsea Neiss. At the table are choreographer Helen Simoneau and, standing behind, Attack co-founder Michele de la Reza.

Enjoying the after-preview festivities are dancers Sarah Zielinski, Sonja Gable and Chelsea Neiss. At the table are choreographer Helen Simoneau and, standing behind, Attack co-founder Michele de la Reza.

Attack-ing Helen. Attack Theatre was full of surprises for a preview of its new work by Quebec choreographer Helen Simoneau. Former board member Todd Owens was energetically bartending with some home-cooked concoctions — tequila-based — to match Moe’s deliciosa Mexican buffet. Attack members Dane Toney and Anthony Williams were taking a break, watching Helen’s all-female cast in the tantalizing snippets that they had prepared. There were the familiar, always-welcome Ashley Williams and Kaitlin Dann, plus newbie Sarah Zielinski. Also be prepared to get acquainted with project-based additions Sonja Gable and Chelsea Neiss when the piece makes its official premiere in May at the Kelly Strayhorn Theater. It was a nice stretch for the company, moving with a smooth weight and seamless connections as they explored new vocabulary and phrasing.

Photo: Kenn Duncan

Photo: Kenn Duncan

Marianna at the Museum. Wouldn’t we all like to be showcased in the Smithsonian along with Dorothy’s ruby slippers and Kermit the Frog? Well, Pittsburgh Ballet Theatre ballet mistress Marianna Tcherkassky is now part of an ongoing exhibition at the Museum of American History. Only three ballerinas are featured — well, their costumes — in American Ballet. French ballerina Violette Verdy inspired George Balanchine at New York City Ballet (a costume from one of her performances at the White House can be seen) and Misty Copeland is defining new standards at American Ballet Theatre (her costume from On the Town, where she spun into a limited-run leading role, is on display). Marianna’s contribution is a costume from the first act of Giselle, for which she is noted and which she performed many times with Mikhail Baryshnikov. Check it out.

Budding Ballerinas. Then there are those young talents that participated in the Youth America Grand Prix Semi-Finals at Upper St. Clair High School. Veridy Treu, 15, of Pittsburgh Ballet House captured the Senior Age Division and will move on to the finals in New York City. Also placing in the Top 12 were Alexia Norris,16, and Francesca Siudela, 17, of West Point Ballet and Alexandra Topalova, 16, Pittsburgh Ballet House, who placed second in the Contemporary Dance Category. Alan Obuzor of Pittsburgh Youth Ballet Company and Kwang-Suk Choi of Pittsburgh Ballet House were given Outstanding Teacher awards. For more results, click on YAGP.

 


On Stage: Wondering About “Alice”

February 13, 2017

In that never-ending search for full-length ballets, Pittsburgh Ballet Theatre decided to bring back Derek Deane’s “Alice in Wonderland” after almost ten years. A lot has happened since then, but there was a lot happening on the stage as well (click on PBT). In fact, PBT bought the colorful production hoping to rent it out to other companies. That remains to be seen. PBT had hoped to put together a national tour after the 2008 premiere, which never happened. Will “Alice” get a second chance?

Nonetheless, it is colorful as Rich Sofranko’s photos underscore…

Yoshiaki Nakano (White Rabbit) and Amanda Cochrane (Alice) interact in the Hallway of Doors.

Yoshiaki Nakano (White Rabbit) and Amanda Cochrane (Alice) interact in the Hallway of Doors.

Alice pouts as the Cooper Verona (Mad Hatter), Masahiro Haneji (March Hare) and Diana Yohe (Dormouse) cavort.

Alice pouts as the Cooper Verona (Mad Hatter), Masahiro Haneji (March Hare) and Diana Yohe (Dormouse) cavort.

The Tea Party continues...

The Tea Party continues…

Julia Erickson (Queen of Hearts) presides --

Julia Erickson (Queen of Hearts) presides —

 


Video: Subway Ballet…With Tap

February 8, 2017

Justin Peck, a name on the tip of everyone’s tongue in New York takes to the subway with some of friends from New York City Ballet. The next generation is breaking ballet barriers…


Dance Beat: PBT/Chat, Dance Abroad

January 24, 2017
Pittsburgh Ballet Theatre's Yoshiaki Nakano and Hannah Carter perform Sinfonietta. Photo: Martha Rial©

Pittsburgh Ballet Theatre’s Yoshiaki Nakano and Hannah Carter perform Sinfonietta. Photo: Martha Rial©

PBT at the Lake. Pittsburgh Ballet Theatre has announced that it will return to perform at Chautauqua Institution on Saturday, Aug. 12 at 8:15 p.m. This time, however, they will be paired with the Chautauqua Symphony Orchestra and we all know that Pittsburghers love live music. Better yet, they will be performing in the freshly rebuilt Amphitheater, regarded by many as the heart of this quaint Victorian community, featuring new dressing rooms, up-to-date lighting, an orchestra pit and better sight lines for the audience. On the program will be selections from Coppelia and the Jiri Kylian signature work, Sinfonietta, which got a roaring ovation from the crowd in the 2015 season at Benedum Center. CI is offering tickets at $43 and a Saturday “Symphony” package at the Athenaeum Hotel overlooking the scenic lake. It will be part of a CI season that will also feature Ailey II (June 26 and 28), longtime resident company Charlotte Ballet (July 6, 11, 19 and Aug. 2)  and Irene Rodriguez Compaña, a Cuban group with a flamenco flair (Aug. 23). But there is much more to feed the body, mind and soul. Click on Chautauqua.

Attack Theatre's Michele de la Reza teaching a class in Taipei/

Attack Theatre’s Michele de la Reza teaching a class in Taipei

American Dance Abroad. Artists may have come across this organization, but those based in Pittsburgh should know that one of the two co-directors is Carolelinda Dickey, former executive director of the Pittsburgh Dance Council for 12 years. Right now ADA wants submissions for Pitchbook: Volume III to “pitch” your new work to global presenters. Click on Pitch for more information.


Dance Beat: Kinzua Dam, West Point Ballet, Benjamin Millipied

January 4, 2017

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KINZUA DAM. Thanks to more media coverage, celebrity support and the support of organizations like veterans, people are learning about the Indian plight at Standing Rock. But what we don’t remember is how the United States government has exerted force over Indian nations for a large part of our history, taking land that rightfully belonged to them. Western Pennsylvania has an Indian area that was flooded by the Kinzua Dam. The Kelly Strayhorn Theater, a hotspot for minority art, brought in a moving, heartfelt performance by Minneapolis’ Rosy Simas Danse. Rosy went to visit the Kinzua site, where her ancestors were forced to evacuate. Click on Kinzua Dam for a complete history. And from the Seneca Indians’ perspective remembering 50 years ago...

west-point-nutWEST POINT BALLET. The West Point Ballet, located in Coraopolis,d served notice that it is joining the upper tier of local dance studios. Only in its third year, it presented its own “Nutcracker,” showcasing the Cuban ballet style, so poetic and lyrical, and filled with those signature pirouettes that seem so effortless. WPB fielded at least half a dozen young women who distinguished themselves and has a growing contingent of young men that would be the envy of other schools. Congratulations to owners Cynthia Castillo, formerly with Pittsburgh Ballet Theatre and a graduate of the National Ballet of Cuba, and Damien M. Coro, formerly with PBT and the National Ballet of Cuba. Damien performed with the group alongside his twin brother, David, a former principal with the National Ballet of Cuba who is teaching at the Laurel Ballet with his wife, Vanessa Haider, also a former member of the National Ballet. Certainly their combined expertise will enrich the ballet community for many years to come.

peter-farmerPETER FARMER. World famous costume and scenery designer Peter Farmer passed away a few days ago. He worked on a number of productions at Pittsburgh Ballet Theatre, including the recent Giselle production this past fall. You can read about the process and his career from Janet Groom Campbell, good friend and PBT costumier, here.

BENJAMIN MILLIPIED.  For those who like a juicy ballet backstory, there is an upcoming documentary about Benjamin Millipied (famously the husband of movie star Natalie Porter) and his dramatically short tenure at the Paris Opera Ballet. Called Reset, it should hit movie theaters sometime in January.

DANCE LISTINGS. There’s not a lot happening in January with Pittsburgh dance (see Listings). What is happening?

 

 

 

 

 


On Stage: 15 Years of “Nut”-iness

December 5, 2016
Alexandra Kochis with Christopher Budzynski in "The Nutcracker." Photo: Rich Sofranko

Alexandra Kochis with Christopher Budzynski in “The Nutcracker.” Photo: Rich Sofranko

Pittsburgh Ballet Theatre celebrates 15 years of “Nutcracker” in the Terrence Orr production. Click on Nut for the review.


Dance Beat: Jessica, Jewels, James

December 5, 2016

teenamarie

 

DANCE JAM! Pittsburgh artist manager Jessica Marino (JAMpress management) is joining with Green Street Studios of Cambridge, Massachusetts to form Tracks to provide multiple showcase opportunities for dancers. Jessica and friends hope to “foster a creative environment where artists and presenters can meet, network and build meaningful relationships” with a goal of increasing performances, residencies, masterclasses and collaborations. Pittsburgh artists include Maree ReMalia & HyunJung Lee, Staycee Pearl Dance Project, Teena Marie Custer, Shana Simmons Dance, Brady Sanders and Jamie Erin Murphy. Already on tap are Gibney Dance Choreographic Studios in Cambridge, PearlArts Studios in Pittsburgh and Lehigh Valley Dance Exchange in Allentown, PA.

JEWELS. This looks like the ballet equivalent of Hamilton. Bolshoi Ballet! New York City Ballet! jewels_1421185cParis Opera Ballet! All together in one glorious run of George Balanchine’s Jewels. Wonder what the tickets will go for? Click on Jewels for more information.

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JAMES. James Gilmer, formerly a student at Pittsburgh Ballet Theatre, now residing and dancing at Columbus Ballet (soloist!) went to Kennedy Center as part of the company’s Nutcracker production. In this video clip from the company, you can spot him in two places, the first one a pirouette about 10 seconds in.

 


On Stage: Attack-ing the Holidays

December 3, 2016

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Take in Attack Theatre’s spirit-driven (holiday, uplifting, etc.) Unbolted. Click on Attack.


Dance Beat: Lovin’ Lil Buck

December 3, 2016

Art is art.


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